Adam Greenfield of v-2.org offers his observations on the state of Japanese design and aesthetic:
The Japan That Should Say No
Where Japanese culture used to be expert at finding the one element in a situation that bore psychological meaning, at manipulating the tension between what is made explicit and what is left unsaid, it now contents itself with wallowing in the banal.
This is as true of technology (and associated domains like information design) as it is of, say, J-pop. As recently as the 1960s, Japan produced as a matter of course train schedules, tourist maps, and newspaper weather reports so carefully devised that master information designer Edward Tufte chose them as particularly exquisite examples of the use of line and color to carry data.
Similarly, up until the 1980s, Japanese technology led the world in simplification, miniaturization – refinement. More recently, manufacturers seem engaged in a race to bombard the user with the most extraneous features. It’s trumpeted as innovative when the new model keitai comes with interchangeable faceplates.
Like I say: banal.
During my brief time in Japan, I haven’t seen a lot to dispute his observations. Take my mobile phone, for example…
